Sequoia Capital’s Alfred Lin in his first public interview since the implosion of FTX (video)

Last night, at an industry event hosted in San Francisco by this editor, venture capitalist Alfred Lin of Sequoia Capital sat down for a fireside conversation about the evolution of his storied investment firm, which has enjoyed a largely unblemished record of stunning success — a record since marred by its roughly $200 million investment in the crypto currency exchange FTX.

The investment, once a source of pride for the firm, has tarnished not Sequoia but also Lin, who led the deal on behalf of Sequoia, was the firm’s point of contact with CEO Sam Bankman-Fried for a year-and-a-half and who spoke thoughtfully yesterday about how he feels today about a bet gone so wrong.

Asked, for example, whether looking back, there were signs that Lin sees now that he missed earlier, he answered after a pause: “I thought [Bankman-Fried] was very smart . . . he answers questions very logically and very succinctly. Could we have spotted any tells? I don’t know. There’s what I know today and what I knew at the time. If I knew at the time, we wouldn’t have invested. So today, I think the thing that gets me to reassess is . . . it’s not that we made the investment. It’s the year-and-a-half working relationship afterward, and I still didn’t see it. And that is difficult.”

If it was particularly challenging for Lin given that just a year earlier, he topped Forbes’s annual Midas List, he didn’t say so. But he suggested that experience remains disturbing to him because Bankman-Fried seemed to seize on what the venture industry sees as one of its greatest strengths.

Explained Lin, it’s “a trust business. And yes, we need to trust and verify, and we try to verify what we can. But we start from a position of trust, because if we don’t trust the founders that we work with, why would you ever invest in them?”

Lin had a lot more to say about FTX, including whether he has sympathy for Bankman-Fried. He defended Sequoia’s decision to manage its positions in its portfolio companies well past the point that they go public.

Lin also confirmed during the event that in a gesture to its limited partners, Sequoia last year reduced its management fees on two funds that it rolled out a year ago — a $950 million ecosystem fund that it uses to back other managers’ funds and a $600 million crypto fund. Lin said that rather than charge its backers on committed capital, which is standard in the industry, it is charging them management fees on their committed capital alone. (On that front, he said that just 10% of the crypto fund has been deployed, adding that Sequoia remains “long-term optimistic” about crypto.)

Lastly, Lin shared his views regarding how generative AI — one of the buzziest areas of interest for the venture industry right now — is changing the opportunity for both VCs and investors.

Full video of the conversation follows.

Sequoia Capital’s Alfred Lin in his first public interview since the implosion of FTX (video) by Connie Loizos originally published on TechCrunch

Daily Crunch: 2 Tesla models qualify for EV tax credits after company marks prices down by 20%

To get a roundup of TechCrunch’s biggest and most important stories delivered to your inbox every day at 3 p.m. PST, subscribe here.

The team who went to CES is back at their desks. If you missed the barrage of stories — or simply couldn’t stay on top of them — Brian wrote up an amazing CES 2023 debrief. Give that a skim, and you’ll be safe in the knowledge that you didn’t miss anything major as you grab your favorite easy chair and a book to settle in for the weekend. — Christine and Haje

The TechCrunch Top 3

Slasher movie, but IRL: Tesla is reducing its prices again, this time for U.S. buyers, by as much as 20%, Kirsten reports. This new lower base, which dips below $55,000, “is important because it allows buyers to qualify for the $7,500 federal tax incentive,” she writes.
Claws out: Fintech startup Mayfair debuted its high-yield APR for businesses, buoyed by $10 million in funding from investors like Tiger Global. Mary Ann has more on how the company is able to offer such a high interest rate.
If A then B: Manish writes about Google warning India that if its antitrust ruling is allowed to stand, it will pose a threat to national security and cause Android device prices to rise in the region.

Startups and VC

It seems like SPACs aren’t completely dead yet, as World View, a company developing stratospheric balloons for Earth observation and tourism, is heading to the public markets, Aria reports. The company announced Friday that it would merge with special purpose acquisition company (SPAC) Leo Holdings Corp. II in a deal worth $350 million, as it seeks to build out what it calls “the stratospheric economy.”

And we have five more for you:

E Ink leaves monochrome behind: Harri writes that E Ink’s latest color displays have her dreaming of electronic paper magazines.
Twitter rival raises moneys: Twitter rival T2 raises its first outside funding — $1.1 million from a group of high-profile angels, reports Ingrid.
Layoffs in crypto: Manish reports that Crypto.com cuts 20% of jobs amid “unforeseeable” industry events.
Layoffs in crime reporting: Amanda reports that crime reporting app Citizen lays off 33 employees.
Layoffs in fintech: Jagmeet reports that Greenlight, a kids-focused fintech startup, lays off 104 employees to optimize expenses.

You’re not going to grow into your 2021 valuation

Image Credits: nfsphoto (opens in a new window) / Getty Images

Many, if not most, of the founders who are attached to their 2021 valuations are living in a fantasy, according to Jeremy Abelson and Jacob Sonnenberg of Irving Investors.

For this TC+ post, they worked out “the simple math behind how long it will take companies to price their IPO at a flat round to their previous 2021 valuations.”

Companies with 75% YoY growth “can entertain the discussion,” but “if you are growing sub 30%, there is a strong chance that growing into your 2021 valuation is impossible.”

Three more from the TC+ team:

The right funds, the right way: Carlos Antequera shares 4 tips to find the funding that fits your business.
Much strategery: Becca asks whether it makes sense to raise a structured round over taking a valuation cut?
Crypto chaos continues: Crypto in for a “choppy year” of slow capital deployment, investors share with Jacquelyn.

TechCrunch+ is our membership program that helps founders and startup teams get ahead of the pack. You can sign up here. Use code “DC” for a 15% discount on an annual subscription!

Big Tech Inc.

Are you scooting around Paris right now? Well, this could be your last time. Romain has a lengthy look at how scooters in Paris are at a crossroads as the city ponders whether to put the brakes on renewing contracts with three companies. As Michael Scott said, “Buckle up, it’s going to be a bumpy one.”

Meanwhile, Sarah and Kirsten paired up on a scoop that Tokyo-based news aggregator SmartNews laid off 40% of staff in the U.S. and China.

And we have five more for you:

The tweet is on: Ivan writes that Twitter users are reporting that third-party apps on the site are facing issues. Meanwhile, over at Twitter alternative Mastodon, Medium launches its own community. Sarah has more.
A little bit of history repeating: Devin writes that President Biden’s call to “unite against big tech abuses” sounds kinda familiar.
Layoffs in robotics: Alphabet’s robotics division is letting people go, Brian reports.
If you like clickety-clack on your keyboard: Frederic reports that Keychron gets it right with its Q10 Alice-style keyboard.
Do you hear what I hear?: VALL-E’s quickie voice deepfakes should worry you, Devin writes.

Daily Crunch: 2 Tesla models qualify for EV tax credits after company marks prices down by 20% by Christine Hall originally published on TechCrunch

Bugatti’s new electric scooter is bigger with W16 Mistral vibes

Somewhere hidden amid the thousands of flashy displays and exhibits at CES 2023 in Las Vegas was the newly upgraded 2023 Bugatti electric scooter.

TechCrunch never saw it. Did anyone?

Luckily, details and images of the 2023 model, a 10% larger, more premium electric scooter, have now been released into the world.

Bugatti, through a partnership with tech accessory company Bytech, launched a $1,200 electric scooter in 2022. The two companies paired up again for a second-generation scooter that is beefier, equipped with new features and colors, and has larger “self-repairing” tires.

The 2023 scooter is 10% larger than its predecessor and is equipped with an 36-volt/15.6Ah battery and an electric motor with a maximum output of 1,000 watts, according to the companies. That battery and motor combo allows the scooter to handle up to an 18-degree incline, max speed of 22 miles per hour and can cover 35 miles on a single charge, according to the company. (That’s up from the 22-mile range in the previous model).

No word yet on the pricing for this bigger second-generation model. Perhaps, this is one of those “if you have to ask” moments.)

Image Credits: Bugatti/Bytech

The overall expanded size extends to a larger deck area for standing and a 10-inch tire (the previous one was 9 inches) with a pneumatic tubeless design that comes with a built-in glue repair mechanism that repairs potential tire punctures. (The technology sounds a lot like tubeless tires used in bicycles. The tires can be filled with a sealant that is released and coats the interior if there is a puncture.)

The new Bugatti scooter now has passcode protection, a touchscreen that displays speed, rider mode, battery life and headlight operations. The scooter is equipped with leather handle grips and comes in three colors, including a new yellow and black design that gives homage to Bugatti founder Ettore Bugatti (apparently his favorite color combo) and the W16 Mistral roadster, which has a similar color scheme.

At the end of those leather handles are two small LED lights. For added safety and visibility, the turn signals are synchronized and displayed on the accompanying MIPS certified helmet.

Bugatti’s new electric scooter is bigger with W16 Mistral vibes by Kirsten Korosec originally published on TechCrunch

BlackRock acquires minority stake in SMB 401(k) provider Human Interest

Investment giant BlackRock announced Friday it is taking a minority stake in, and leading a financing round for, venture-backed fintech startup Human Interest.

Terms of the deal were not disclosed.

Human Interest’s digital retirement benefits platform allows users “to launch a retirement plan in minutes and put it on autopilot,” according to the company. It also touts that it has eliminated all 401(k) transaction fees. The startup told TechCrunch previously that it works with “every kind of SMB” — from tech startups to law offices, to dentists to dog walkers, to manufacturing firms, to social justice nonprofits.

The San Francisco–based company has raised a total of $336.7 million in funding since it was founded by Paul Sawaya and Roger Lee in 2015. The Rise Fund, TPG’s global impact investing platform, led a $200 million round for Human Interest in August 2021 that propelled it to unicorn status. Other backers include SoftBank Vision Fund 2, Crosslink Capital, NewView Capital, Glynn Capital, U.S. Venture Partners, Wing Venture Capital, Uncork Capital, Slow Capital and Susa Ventures, among others. Since the initial closing of that round, Human Interest said in a blog post that it has seen has over 400% growth in the number of customers and revenue. At the time of that raise, execs told TechCrunch that the company was targeting a traditional IPO sometime in 2023, hoping to have “$200 million+ in run-rate revenue before going public.” In August of 2021, it was at “tens of millions of run-rate revenue, and adding millions of new revenue each month, according to execs.

“BlackRock has an amazing team focused on providing high-quality retirement saving and investment options. We are excited to work with BlackRock to find ways to bring retirement within reach of millions of additional workers in the coming years,” said Jeff Schneble, CEO of Human Interest, in a written statement.

“We look forward to helping Human Interest close the access gap,” said Anne Ackerley, head of BlackRock’s Retirement Group, in a statement.

Want more fintech news in your inbox? Sign up here.

BlackRock acquires minority stake in SMB 401(k) provider Human Interest by Mary Ann Azevedo originally published on TechCrunch

5 of the best journaling apps to log your thoughts and experiences

As we look to the year ahead, you may be interested in creating new habits and setting goals. Journaling is a popular practice that helps you reflect on your life, while also keeping track of your goals. If you’re looking to get into journaling and would prefer to keep a digital journal instead of a physical one, you can choose from numerous journaling apps available across iPhone and Android.

Whether you want to store specific memories about your everyday life or reflect on your day with a few sentences before bed, there are many apps out there that are designed to help you keep track of your thoughts and experiences. We compiled a list of some of the best ones to help you pick one that’s to your liking.

Day One

Image Credits: Day One

Day One is a personal journaling app that is somewhat like a freeform digital diary. The app features daily prompts to keep you on top of your goals, and includes customizable templates that help you save time when journaling. Each entry automatically tracks the time, date, weather, moon phase and more. Day One lets you bring in content from other apps, like Photos and Safari.

A portion of the app is designed to help users reminisce about the past. For example, there is an “On This Day” feature that allows you to revisit past memories. What makes the app unique is the ability to add tags to entries, which can make it easier to find specific entries from the past. Day One also features a map view that shows you all of the places you have journaled from.

The app is a good fit for people who want an open-ended journal, as opposed to a structured format. Day One is free to use, but also offers a $3 monthly subscription that unlocks premium features. The app is available on iOS and Android.

5 Minute Journal

Image Credits: 5 Minute Journal

The 5 Minute Journal app offers a guided gratitude journaling format. Each morning and evening, you receive specific prompts to reflect on your day and goals. The goal of the app is to encourage you to reflect on your life in just five minutes, twice a day. In the morning, you may be asked to write about what you’re grateful for, and in the evening, you could be asked to write about some good things that happened that day.

You can set daily notifications to keep up with your journaling habit. There’s also an option to receive daily inspiring quotes that you can share to your social media accounts. In addition, you can add a photo to your posts to have a visual aspect when tracking everyday moments.

The app is a good fit for people who want to get into mindfulness with the help of a structured format. 5 Minute Journal is free to use, but also offers a $4.99 monthly subscription that includes additional features. The app is available on iOS and Android.

Daylio

Image Credits: Daylio

Daylio is an easy to use journaling app that helps you quickly track your daily mood and activities. The app is perfect for people who want to keep their journaling short and sweet, and don’t really want to write anything. If you do want to expand on an entry, you can add notes. You can pick the things you want to track, such as your social activities, hobbies, sleep, health, chores, food and more.

The app also lets you create daily, weekly or monthly goals to motivate you. You can choose from preset goals, such as drinking more water or meditating, or you can create custom goals. You can also build habits and collect achievements along the way. In addition, you can back up and restore your entries on your Google Drive.

Daylio is a good fit for people who want an alternative to traditional journaling apps. The app is free to use, but also offers a $2.99 monthly subscription that unlocks premium features. Daylio is available on iOS and Android.

Momento

Image Credits: Memento

Momento is a multi-purpose journal that can be used for many different things. You can use it as a personal life journal or as a work journal. There are several templates that you can choose from if you want to track specific things, such as health, food or travel. You can add photos and location tags to your journal entries to keep a detailed record of your everyday life.

What makes Momento unique is the ability to connect the app with your social networks to automatically import your activities, photos and videos. The app also lets you relive your memories by browsing by day, month or year. There’s also a “This Day” feature that allows you to look back on what you were doing exactly a year ago.

Momento is a good journaling option for people who want to capture everything about their everyday lives. The app is free to use, but also has a $2.49 monthly subscription that gives you access to more features. The app is available on iOS only.

DailyBean

Image Credits: DailyBean

DailyBean is a simple app that lets you record your everyday life with a few taps in a way that almost feels like a game. You can choose what you want to track, such as your emotions, social activities, the weather, your meals, romantic life and more. To add an entry, you start off by tracking how you felt about your day using one of five mood beans. Then, you can add additional details about your emotions. For example, you can note if you felt refreshed or gloomy that day.

You can also track how much sleep you got that day. There’s also an option to add up to three photos to your daily entries. If you want to go beyond the simple means of tracking your day, you can add notes to your entries. The app’s calendar view also gives you an overview of how you have been feeling recently.

DailyBean is a good fit for people who don’t want to spend too much time journaling and want something simple. The app costs $1.99 per month after a 7-day free trial. DailyBean is available on iOS and Android.

5 of the best journaling apps to log your thoughts and experiences by Aisha Malik originally published on TechCrunch

HBO’s ‘The Last of Us’ is a video game adaptation that’s actually good

This weekend, HBO and HBO Max will premiere the first episode of “The Last of Us,” a post-apocalyptic thriller based on the popular video game. On Sunday, January 15, it will debut on HBO at 9:00 p.m. ET and stream in 4K on HBO Max. The series will have nine episodes in total and follows the plot of the 2013 game where a fungus outbreak turns half of the world’s population into flesh-eating zombies–a.k.a. “clickers.”

Starring “The Mandalorian” actor Pedro Pascal as Joel, and “Game of Thrones” actress Bella Ramsey as Ellie, “The Last of Us” centers around these two characters who, at first, want nothing to do with each other. Joel and his confidante, Tess (played by Anna Torv), are tasked with smuggling Ellie out of the quarantine zone in Boston and across the U.S. As the story progresses, Ellie and Joel’s dynamic shifts as they start to depend on each other.

“The Last of Us” is HBO’s first foray into adapting a video game into a series. But you wouldn’t know it based on the quality. After so many video game adaptation fails, the show will likely be a relief to many “Last of Us” fans. Granted, it was co-written by the game’s creator, Neil Druckmann, so there was little room for it to flop in the first place. HBO’s “The Last of Us” is Druckmann’s love letter addressed to the millions of loyal fans that help keep the decade-long franchise alive.

(“The Last of Us” spoilers ahead.)

On the outside, “The Last of Us” may just seem like another survival story with zombies. However, unlike the stomach-churning gore that’s associated with the genre, the HBO series doesn’t focus on dramatic, long-winded shootouts and shots of the undead being sliced in half. Instead, it focuses on the human relationships between the uninfected as their world turns more uncertain by the minute.

What makes this show so great, in our opinion, is the fact that viewers don’t need to play the game to understand it. Although HBO’s “The Last of Us” is very accurate to the timeline of the game and has Easter eggs sprinkled throughout, there are some key differences that help the story speak to a larger audience.

For instance, the game takes place in 2033, whereas the show is set in 2023. This was done to help viewers “connect a little bit more,” co-creator Craig Mazin said in a CNET interview. “If I’m watching a show in the year 2023 and it takes place in 2043, it’s just a little less real. I thought it might be interesting to just say, ‘Hey, look, in this parallel universe, this is happening right now,’” Mazin added.

Another distinction that we’ve noticed so far is how in-depth the show goes with Joel’s backstory. The beginning cutscene of the video game is only about 15 minutes long, whereas HBO’s “The Last of Us” takes a more drawn-out approach.

The first episode begins with a flashback from 2003, when the initial fungal outbreak occurs. In this scene, Joel appears as a less intense man, sleeping through his alarm and facing simple problems like forgetting to buy pancake mix. Also, Joel’s daughter, Sarah (played by Nico Parker), gets a surprising amount of airtime, with clips of her cooking scrambled eggs, fixing her dad’s watch, and baking cookies with her next-door neighbor. These scenes are unique to the show and give viewers more time to get to know the father-daughter duo, which makes the events that follow that more heart-wrenching.

Image Credits: HBO

After Sarah is killed, the episode then jumps to 2023 when Joel is a smuggler in a quarantine zone guarded by FEDRA (Federal Disaster Response Agency) soldiers, while a militia group led by Marlene (Merle Dandridge) called “The Fireflies” aims to revolt against military oppression and restore government control.

The viewer then meets Ellie, a teen that’s immune to the fungus and is being held captive by The Fireflies. Like in the game, the series will mainly focus on Joel and Ellie’s relationship and how their views on the world differ.

Other characters who have yet to be introduced include Frank (Murray Bartlett), Bill (Nick Offerman), Kathleen (Melanie Lynskey), Florence (Elaine Miles), Riley (Storm Reid), Perry (Jeffrey Pierce) and Henry (Lamar Johnson).

“The Last of Us” will likely do well for HBO Max, despite the streaming service increasing its subscription price earlier this week.

Similar to its other highly anticipated shows like the “Game of Thrones” spinoff, “House of the Dragon,” the company went all out to promote its newest series. For instance, Warner Bros. Discovery hosted a two-hour immersive experience and screening of the first episode in New York City, giving guests an array of “The Last of Us” themed goodies, photo opportunities and more.

On January 15, HBO Max is also launchingThe Last of Us Podcast,” hosted by Troy Baker, the voice actor who plays Joel in the game. Druckmann and Mazin will also be featured in episodes as they discuss how they made the show and other behind-the-scenes stories. Each episode will be released every Sunday in tandem with the show.

HBO’s ‘The Last of Us’ is a video game adaptation that’s actually good by Lauren Forristal originally published on TechCrunch

Deconstructing ‘The Twitter Files’

The bombast with which the so-called Twitter Files have been released is incongruous with the mundanity of their content. Even so, as the circus folds up the big top and the barkers return to their Substacks, it is worth a thorough retrospective to put these breathlessly delivered, revelation-flavored products in context.

That few large news outlets have opted to report much of the information in these threads has been attributed to complaisance, partisanship, complicity with government interference, or various species of corruption. The banal truth is that, if other newsrooms are anything like our own, they read each as a matter of diligence, and simply found nothing new or interesting to report, or what little there was contaminated by the dubious circumstances of their presentation.

What’s important to understand at the outset — and what the authors make clear from the start — is that no one involved in the selection and analysis of the internal communications appears to have any familiarity with (let alone expertise in) how social media and tech platforms are moderated or run. This is not said in order to poison the well — it matters because this lack of familiarity is in great part the reason these stories were published to begin with, and it explains the editorial slant they are given.

In each Twitter Files thread, we see unfounded assumptions, insinuations, and personal interpretations given equal weight as facts, more or less establishing these as opinion pieces rather than factual reporting. That alone will have spiked a great deal of coverage, as however salacious the theory, little of what is actually provided satisfies editorial standards in many a newsroom.

It must also be obvious by now that this ostensible act of transparency was conducted with a definite goal: to discredit the previous moderation and management teams, and advance a narrative of systematic anti-conservative activity at Twitter. This has resulted, both deliberately and by neglect of basic best practices, in harassment and targeting of individuals.

Plainly this is all orchestrated by Elon Musk, whose spite is equally plain in the wake of his botched purchase of the platform — an event that has been catastrophic to his wealth and reputation. But catastrophe loves company, and he seems insistent that all receive a portion of his ruin.

That said, given the natural curiosity of our readership on these matters, I thought it may be of interest to catalogue the claims in one place, as well as what rendered most of them unreportable, despite occasionally containing notable information.

Part 1: “Handled”

Claim: “An incredible story” of how “connected actors” had accounts deleted and stories suppressed, with a clear left-leaning bias

The inaugural thread unambiguously and repeatedly shows working moderators grappling honestly with difficult decisions.

It also shows the inbox of a content moderation response team: not a dark and secret back channel but an official means for governments (the U.S. and others), individuals, companies, law enforcement and anyone else with special insight or purpose to communicate with the company’s dedicated department. There are no surreptitious “connected actors,” this is essentially customer service. The assertion that there were “more channels, more ways to complain, open to the left” is completely unsupported.

The question of First Amendment violations is a massive red herring, aided by Musk, who publicly aired his misinterpretation of it in the replies. As the thread notes, “there’s no evidence – that I’ve seen – of any government involvement in the laptop story.” Government requests, as documented and discussed publicly for years, are routine. Private requests, like the Biden campaign flagging non-consensually shared nude images of Hunter Biden as violations of Twitter’s terms of service, are routine.

Here as in other threads, the source documents themselves may well be of interest, but are not reliable as presented and do not demonstrate the claims stated. And it must be recorded here how slapdash the redaction and presentation of the information was, giving a sense of carelessness and overhaste to these supposedly momentous reports.

Part 2: “Secret”

Claim: “Secret blacklists” and “shadow bans” were common at Twitter

The second thread is an exercise in fear, uncertainty, and doubt that depicts the tools of a functioning social media moderation team as those of a secret speech-controlling elite. Flags and moderation functions are not public by design, as some of the information is proprietary to Twitter, personally identifiable to the account, or the type of thing to be taken advantage of by malicious actors, who would redline behavior if they knew exactly how the system worked.

By the definition applied here, much of what goes on in any company is “secret.” Google, Facebook, Microsoft, Sony, Amazon — any company that maintains and monitors large numbers of users and communications has a “secret” system like this. It was nice to peek behind the curtain, which was why I did report it in that context; I would have done the same if one of those other companies’ non-public moderation practices had been exposed.

But in keeping with the intended narrative, the thread only shows examples of moderation actions that affect a handful of conservative fringe accounts. We can’t know if and how these tools were used in other circumstances, such as putting a left-leaning account on a “trends blacklist,” because that data is withheld — “secret,” as Weiss would no doubt put it. It would be irresponsible to draw conclusions based on such purposefully manipulated data.

The thread also does a bit of prestidigitation in the matter of “shadow banning,” which Twitter publicly denies doing according to its own, also public definition. Weiss redefines the term as something Twitter does do (industry-standard moderation practices) and concludes that the company has lied retroactively. The disingenuous presentation discourages coverage.

Part 3: “Interaction”

Claim: “Decisions by high-ranking executives to violate their own policies” in the ban of Donald Trump, and “ongoing, documented interaction with federal agencies

The deliberations of a social media moderation team put in the unprecedented situation of deciding whether and how to suspend a sitting president’s account (and how to adjust policies going forward) are interesting in a fundamental way; however, the way this information is presented is again too suspect for any reporter to trust and report. With no access to the original chat logs, it is impossible to say whether the conversations here are accurately represented or, as is far more likely given how the narrative in which they are couched, selectively shown (though in fairness, the process by which these logs were given to the authors is not entirely in their control). What little we are privy to is not particularly notable.

The “interaction” with federal agencies is also given a FUD treatment. As noted above, law enforcement and governments are of necessity in constant contact with every social media company — indeed, with all of tech and much of commerce and industry in general. It really is part of their job, and yes, there are agents and specialists designated for social media and tech duty, just as there are some detailed to shipping, manufacturing, finance, etc. Whatever one’s opinion on this practice (and let me just say, I am no bootlicker myself), it surely isn’t news. The attempt to transmute these “interactions” into “intimidation” or “obligation” is not successful.

A Presidential election following several marked by attempts (successful or not) at interference by foreign adversaries is of natural interest to the FBI, among other authorities, and a weekly check-in seems the bare minimum to keep each other informed of potential influence campaigns, trends in cybersecurity, relevant intelligence, and so on. Let us not forget that Twitter amounts to essential communications infrastructure for every government agency at this point; monitoring it is an important but quite ordinary matter. It would be far more surprising and worth investigating if this contact didn’t exist.

Part 4: “Policy”

Claim: Twitter changes its policies in order to ban Trump, and “expresses no concern for the free speech or democracy implications

The discussion documented here is only partial, but it seems to show, as before, the team grappling with evolving circumstances and figuring out in real time how the company should respond. In one quoted chat message, former head of trust and safety Yoel Roth puts it quite clearly: “Policy is one part of the system of how Twitter works… we ran into the world changing faster than we were able to either adapt the product or the policy.”

As a private company running its own fast-moving social platform, obviously Twitter changes its policies regularly, and also makes exceptions to them at its discretion; in fact had made them before in favor of Trump. This was a notable exception, of course, but also the result of extensive internal discussion — which acknowledges both the ad hoc nature of the actions and policies, and their gravity as well. It seems strange for this thread to say no discussion was had when one is clearly shown here and in the next thread. (Perhaps it’s a matter of opinion what “expressing concern” looks like.)

All of this was also widely, widely discussed and reported by pretty much everyone in the world at the time.

Part 5: “Unprecedented”

Claim: Twitter’s choice to ban Trump goes against previous decisions and is part of a pattern of politically biased censorship

Again, reading the actual discussions of dozens of people throughout the company — not “a handful” as it is characterized — in an unprecedented situation is interesting, but difficult to report on given the lack of context and editorialized presentation. These internal debates are more or less what anyone would expect, and hope, of a company trying to figure out how to handle this.

The chat logs do offer a note of specificity long after the fact, but the (by this point obligatory) attempt to cast it as an elite group making directed choices to “influence the public discourse and democracy” is again unsupported, and also contradictory with the notion, elsewhere advanced, that this group was being controlled by the FBI and other government agencies.

Part 6: “Subsidiary”

Claim: The FBI has infiltrated Twitter and exerts “constant and pervasive” influence

“The #TwitterFiles show something new: agencies like the FBI and DHS regularly sending social media content to Twitter through multiple entry points, pre-flagged for moderation.”

It may be new to some, but as noted above, this is quite an ordinary and well-documented practice: for law enforcement, and political parties, and government agencies, and private companies, etc., to call content or accounts to the attention of a platform’s moderation team. It has been done for a long time, and in fact much of it is publicly declared by major tech companies in their regular Transparency Reports, which list government requests and orders, what they pertained to, and how many resulted in some kind of action, or provoked a challenge or request for a warrant. Notably the thread actually shows this kind of pushback happening.

This type of form email can be found in every platform’s moderation team inbox. Incidentally, the description of so prosaic a greeting as “Hello Twitter Contacts, FBI San Francisco is notifying you of the below accounts…” as having a “master-canine quality” is a real puzzler. I’m genuinely unsure who is meant to be the master and who the canine.

There is of course room for debate on how much the government (among other entities) can or should request, legally, procedurally, and ethically speaking. As is the revolving door of high-level corporate and lobbyist positions and government officials. Fortunately for us, just such a debate has been ongoing for two decades. It surely must have bemused many reporters in this space that a topic discussed so widely and for so long is being treated as new or controversial.

Part 7: “Discredited”

Claim: A conspiracy orchestrated by the FBI and intelligence community to preemptively discredit the Hunter Biden laptop story

Even if anyone at any newsroom thought it was worth re-(re-)litigating the laptop story, which was discussed ad nauseam at the time, the way information is presented in this thread is dangerously disingenuous.

The sleight of hand occurs in drawing connections between things with no actual connection — conspiracy theory “logic.” For instance, two facts: One, the FBI was aware of the laptop, and had collected it; two, the FBI sent some documents to Twitter just before the NY Post published its story. These are presented as if clearly linked.

But as the other threads made clear, these FBI document drops were quite a regular occurrence, as often as weekly (in fact later threads complain information was shared too frequently). And there is no evidence the FBI considered the laptop a specific “hack-and-leak” threat, let alone expressed that to parties like Twitter (the general be-on-lookout months earlier is weak tea). Not only is the significance of either fact unsupported individually, but they are connected in the thread in an unsupported way.

This type of suggestive free association occurs repeatedly. And magically, an elaborate “influence operation” uniting the FBI, IC, a think tank, and a few other villains is assembled, like a corkboard with pins and yarn criss-crossing it. (Never mind that subsequent threads show they could barely organize a cross-agency conference call.) Under even the slightest scrutiny this vast conspiracy evaporates, and what is left is clearly a loose collection of people talking about potential cyberthreats in a tense election season.

Few newsrooms would approve of presenting such feats of conjecture as fact, if any reporter even considered using such flimflam as the basis of their own article.

Part 8: “Covert”

Claim: Twitter “directly assisted the U.S. military’s influence operations”

This claim is actually true — or was. We clocked the roll-up of this U.S. influence operation back in August, but this was still a thread that we read with interest.

Every government performs propaganda operations here and there, with various degrees of success and secrecy (both low in this case); it’s table stakes in intelligence. We see networks of fake accounts rolled up frequently, though understandably the ones that are given the most press are foreign operations intending to influence U.S. discourse; these grew so numerous that Facebook started bundling them into roundups and we left off covering all but the most notable, since they were clearly rationing them for positive news cycles.

In this case, an ask was made to give a number of officially military-associated propaganda accounts slightly privileged status (immunity from spam reports, for instance). Twitter agreed, but later the military removed the association disclosure from the accounts, rendering them “covert,” though possiobly the word overstates the case. This angered Twitter, but either they felt they could not renege on their deal with the Pentagon, or, given how small and ineffective these accounts clearly were, decided it didn’t really matter much one way or the other. (In retrospect, given the bad PR, they probably wish they had hammered it. But hindsight is 20/20, as most of the Twitter Files demonstrate.)

To observe a U.S. operation to influence discourse abroad is interesting, and it does (and did) prompt legitimate questions of how closely tech companies should work with the Defense Department and intelligence community. Ultimately we felt that peeling back this layer of the onion was laudable but further coverage on our part was superfluous.

Part 9: “Doorman”

Claim: The FBI was the funnel for a “vast program of social media surveillance and censorship” across government agencies

Here we see the government’s haphazard approach to communicating with tech, with multiple agencies and cross-agency task forces overdoing it in various ways (primarily too much email). The number of accounts being flagged by law enforcement and government was already high and rising; Twitter complained and worked hard to triage and prioritize as government requests competed with press, user flags, and others for limited moderation attention.

It can’t be that surprising that the government would be overzealous in its efforts to tamp down on misinformation after years of asserting and soliciting opinions on how it might affect elections. Thousands of reports sounds like a lot, but count the number of police departments, state elections authorities, federal task forces, and so on, then imagine each of them finding a handful of problematic accounts or tweets each day. They add up quite quickly; it’s a big (and troubled) country, and there’s only one Twitter. Other platforms were experiencing similar overloads and government communications.

That these requests were channeled through two primary channels, the FBI San Francisco office and the Foreign Influence Task Force, for flagging domestic and international issues respectively, is presented as ominous but feels simply practical. The alternative, hundreds of sources independently contacting Twitter, is infeasible.

Even if we were to credit some of the accusations, it’s hard to draw conclusions because the context (beyond even “the year 2020”) is exceptional. The period before and after the 2020 election was absolutely rife with misinformation and other social media issues. Meanwhile every government agency even tangentially related to elections was likewise overwhelmed and working overtime. It’s not clear what is meant to be shown beyond an admittedly bloated bureaucracy in action.

Part 10: “Rigged”

Claim: “Twitter rigged the COVID debate” by “censoring,” “discrediting” and “suppressing” information and users according to government preferences

The words used above — rig, censor, discredit, suppress — are strong. But they are not accurate, and the author, apparently a professional quibbler, applies a sort of malicious hindsight to a handful of borderline cases.

The allegation here is that Twitter’s moderation team chose to use CDC recommendations as the basis for its COVID-related misinformation policy. This is neither new nor controversial, and not really even a sensible complaint. It is the role of that agency to stud, justify, document, and promulgate best practices in health emergencies. What other authority should Twitter have sought for such a policy? None is suggested. Indeed no realistic alternative exists. It was a public health and misinformation emergency and clear lines needed to be drawn — fast, and rooted in some kind of authority — in order that moderation could occur at all. Twitter used the CDC in its capacity as expert agency in drawing some of those lines.

It is stated in the thread categorically that “information that challenged that view… was subject to moderation, and even suppression.” Sure, sometimes. And sometimes things that should have been removed weren’t. Moderation is messy and 2020 was messiness epitomized. Mistakes were inevitable, as Twitter made clear at the outset; it’s trivial to go back and find a few among the decisions in their millions. It’s also pointless and subjective, and feels a bit spiteful.

All the thread offers is a “what if” the bar for debate had been moved an arbitrary amount in the direction the author prefers. But it conflates that notion with the idea that, because the bar was not placed correctly in his opinion (one of his quibbles is with masks, it seems germane to note here), that open debate was “censored.” We have seen censorship and this is not it.

Part 11: “Workload”

Claim: Federal agencies leveraged and then overwhelmed channels for reporting accounts

This thread was, like the earlier one, interesting in that the documents quoted show exactly the kind of improvised, scattershot approach expected by a disorganized government in response to the growing disinfo and state-sponsored digital influence ecosystem.

Twitter gave them the same inch they gave everyone else — a line to the moderation team — but the feds took a mile, and then weren’t sure what to do with it. The result was more noise and less signal, until Twitter had to tell them to get their act together and decide on a few reliable points of contact (our scary “funnels” from earlier) and documentation methods. It’s always grimly entertaining to see the government flail like this, but such logistical squabbles don’t seem worth reporting. Keep in mind this was also in the spring and summer of 2020, when all hell was breaking loose in pretty much every way.

As for the repeated assertion that Twitter was paid off by the feds, those are statutorily required consultation fees the FBI incurred through its requests for investigation (Mike Masnick’s reluctant reality checks on this and other contentions have been invaluable).

One note on the “narrative” side: The thread notes an “astonishing variety of requests” for account suspensions from officials. But only one is actually cited: Democratic Senator Adam Schiff’s office “asks Twitter to ban journalist Paul Sperry.” The request (denied) is, if you read it, actually flagging “many” accounts harassing a staffer (whose name is imperfectly redacted) and pushing QAnon conspiracy theories. Of the two named, one was already being suspended and the other was shortly after for other reasons. The choice and framing of this single example is telling. I would have liked to hear more of this “astonishing variety.”

Part 12: “Russian”

Claim: The intelligence community infiltrated Twitter’s moderation process after politicians perceived the company’s response to alleged Russian bot networks as inadequate

In this first place, this all happened a long time ago, and is mostly just internal emails about some news cycles where politicians were saying Twitter hadn’t done enough to prevent Russian election interference. It’s not really clear what story all these snippets are meant to tell.

Second, I remember writing about this back in 2018, and the thread is pretty misleading. Although the thread quotes estimates of accounts found from two to a couple dozen, their investigation as summarized here puts the number closer to 50,000.

He also says these searches were “based on the same data that later inspired panic headlines,” for instance mine. But that’s not true. Facebook was reporting impressions from 80,000 posts placed by suspected Russian disinformation accounts. Twitter was looking independently for such activity in its own data.

Conflating them isn’t just wrong, it’s misleading and kind of weird. Again, it’s not really clear what’s being claimed here, and really important context and events are excluded from the account.

Last, and least supported, was the big claim that Twitter “let the ‘USIC’ into its moderation process.” As noted above many times, government entities were already in the process, making requests on a regular basis as they have for a long time and on every platform. The change flagged here is that “any user identified by the U.S. intelligence community as a state-sponsored entity conducting cyber operations against targets associated with U.S. or other elections” can’t buy ads. Considering the fallout from Twitter and Facebook taking money from accounts later linked to state-sponsored propaganda, this seems… smart. Open to abuse by the government, sure, but it’s hardly unique in that respect.

Part 13: “Jabs”

Claim: Pfizer board member and former FDA commissioner colluded with Twitter to silence COVID vaccine skeptics and bolster profits

This thread seems to concern a “misleading” label on a single tweet by one guy who claimed “there’s no science justification for #vax proof if a person has prior infection.” Scott Gottlieb, formerly FDA head and now on the Pfizer board, flagged the tweet to a third party (another of those funnels), who flagged it to Twitter, which evaluated it and labeled it. A second tweet sent the same way was not actioned.

Neither the scale nor the nature of these events are notable.

It must also be mentioned that this thread is authored by Alex Berenson, whom The Atlantic gave the dubious distinction of being “The Pandemic’s Wrongest Man.” Berenson, losing no time in joining the other authors in this golden opportunity to plug a freshly minted newsletter, says he too is a target: “Gottlieb’s action was part of a larger conspiracy that included the Biden White House and Andrew Slavitt, working publicly and privately to pressure Twitter until it had no choice but to ban me. I will have more to say about my own case and will be suing the White House, Slavitt, Gottlieb, and Pfizer shortly.”

This, I think, speaks for itself.

Part Etc…

Further installments in the series may appear (indeed one did, on “The Russiagate Lies,” while I was editing this piece), and like the above they will be covered on their merits. But let the above also serve as a counterweight to allegations that the press was predisposed to dismiss the Twitter Files outright. Though skepticism is a necessary characteristic of the trade, new information like that forming the core of these threads is always welcomed.

But the promise of the project has largely been squandered by the way that new information has been selectively and purposefully presented. Furthermore, the delta between the claims and the evidence for those claims has only widened as Musk has ventured increasingly far afield for willing participants.

In the past such sensitive data dumps have been collaborated on by multiple outlets and legal experts, who examine, redact, investigate, and ultimately publish the files themselves. Many journalists, including those of us at TechCrunch, would have valued the opportunity to pore over the data to see how it confirms, contradicts or expands any of the claims above or stories already reported. Until that happens, honest skepticism and concern over amplifying misinformation or a billionaire’s vendetta take precedence over repeating the unsupported and, frankly, increasingly outlandish theories given the Musk seal of approval.

But even his imprimatur is fleeting. In a tweet promoting Berenson’s thread, Elon Musk wrote: “Some conspiracies are actually true.”

Image Credits: TechCrunch / Twitter

And some aren’t. He deleted the tweet soon after.

Deconstructing ‘The Twitter Files’ by Devin Coldewey originally published on TechCrunch

The mixed messaging of mixed reality

I vividly remember my first Vive experience. It was many CESes ago. I was managing a different site. Budgets were tight and I had the most on-the-ground experience, so I went solo. I had a different kind of fire back then, writing 100 stories over five days and walking every possible inch of the show floor — even the areas that devolve into row after row of knockoffs cribbed from the consumer electronics flavor of the day.

A day in, I met with HTC and slipped the headset on. The din of humanity melted away. I was underwater. It was quiet, serene — meditative, even. It was dark inside there. Rays and other fish swam by, silhouetted against a navy blue backdrop. Next came the largest animal to ever exist on this planet, purring and singing serenely. A blue whale’s eye is surprisingly small in proportion to the rest of its massive form. It’s roughly the size of a grapefruit or softball. It blinked a few times, attempting to determine what it was seeing.

When the demo ended, I was reluctant to take the thing off and reenter the throng. For me, this feeling is the height of virtual reality. Quietude. I paid the stupid premium to watch the new Avatar in 3D and all the other trappings. The fight scenes were fun, but I’d have been perfectly content if the whole thing had been hyper-intelligent space whales and moody adolescent Na’vi learning to swim.

It doesn’t have to be underwater, of course. I’ve played around with a few different planet simulators that made me feel similarly at peace for a few, fleeting moments. In the years since, I’ve become far more disciplined in my meditation practice, and I can say that these sorts of VR demos are the closet tech has come to offering a shortcut to the sensation of a good sit.

All of this, I’m sure, says far more about me than VR. People gravitate to different experiences. Chatting with HTC’s global head of Product, Shen Ye, at the show, I mentioned another VR demo for work. The company was using some kind of Olympics-style game package. One of the attendees asked if they had Office Simulator. Said he liked to use that as a baseline for testing headsets.

I’ve always been fascinated by this, the use of expensive, powerful technology to do the most mundane things imaginable. Ye suggested the appeal was the ability to mess things up. It’s a freedom to do something most of us wouldn’t do in our normal, non-virtual lives. Think Grand Theft Auto, only you’re intentionally knocking over a cup full of pencils. Far be it for me to judge how other folks get their kicks.

I made a point of trying the big headsets at this year’s show — specifically the Magic Leap 2, Meta Quest Pro, Vive XR Elite and PSVR2. It was a valuable exercise, in terms of comparing and contrasting technologies, and also offered some insight into the different approaches. When you put on the PSVR2, for example, it’s instantly clear why gaming has long been so central to the virtual reality pitch. Horizon Call of the Mountain is a terrific way to get to know the tech.

The demo starts as a bag is pulled off your head. You find yourself in the rear of a three-person canoe, as it’s explained to you that you’ve recently been sprung from jail to help with a mission. I’m generally not a fan of lengthy setups, but here it makes sense. You need to get your bearings and take some time to enjoy the scenery as a menagerie of robot animals live their lives among the foliage. One of the two characters in front of you paddles slowly, so as to avoid detection from more sinister creatures. Naturally, you’re detected and all hell breaks loose. There’s a quick blackout, you get submerged and then the gameplay really starts.

One downside to VR is all of those uncanny aspects of the virtual human form are on full display, as your entire field of view is occupied by the game. But the scenery is gorgeous. After climbing the side of a cliff, the Sony rep running the demo taps you on your shoulder and reminds you to take it all in. When you eventually take the headset off, you find yourself in a similar position as the whale demo, inside a packed convention center, only this time, passersby have been watching you flail around for 30 minutes.

Magic Leap represents the opposite end of the spectrum with its mixed reality offering. The company’s financial struggles have been well documented. That’s resulted in two key things: First, the company just sold a majority share to Saudi Arabia. Second, it pivoted. Short term, there appears to be a lot more money to be made in enterprise. A lot of corporations have deep pockets, and these headsets are just way, way too prohibitively expensive for 99% of consumers.

Pricing is going to be a big issue for the foreseeable future. If there’s a sweet spot between expensive enough to be good and cheap enough to be affordable, it’s thus far been elusive. Magic Leap hasn’t struggled because it’s an inferior product. The demos I got at CES were, frankly, incredible. In one, a 3D scan of the human brain emerges, pointing the way toward use in medical settings. In another, a mountain pops up. In the foreground, a wildfire advances. Tiny helicopters circle around in the air above.

While the mixed reality experience isn’t as intentionally isolating as VR, it’s still easy to get lost in. It clicks quickly. It really does feel like the future. The efficacy of the technology in the field is, perhaps, another question entirely. Remember how Microsoft’s massive military HoloLens contract bellyflopped, in part, due to the fact that light bleed on a soldier’s face could potentially be seen by the other side?

That’s a dramatic example, of course, but there’s a lot of work to be done across the board to make these kinds of systems truly valuable to business. Still, of the three MR headsets I tried, Magic Leap really was the standout. It’s also more than double the price of HTC and Meta’s systems.

Ye described the battle for pricing as a “race to the bottom” in our conversation. I certainly agree that the prevalence of bad AR/VR/MR systems is probably a net setback for the industry. Sure, things like Google Cardboard were very accessible, but is a bad VR experience better than no experience at all, when it comes to moving the industry forward?

“The giants that are really trying to disrupt are on this race to the bottom, making cheap headsets that they’re losing money,” Ye says. “At the end of the day, what’s the cost of your personal data? We’re not a social media company. Our business model doesn’t rely on advertising revenue, so it’s not something we’re doing. We want to build good hardware.”

The “personal data” bit here is, of course, a potshot at companies, like Meta, which are in the data monetizing game. Is using your personal information to subsidize access worth it? Depends on the person, I suppose. Plenty of people have given up more for less in the social media arena.

One thing all parties seem to agree on is that Apple’s inevitable entry in the space — if successful — will be a net positive. Rising tide, ships, etc. It would, certainly, be validation for a technology that’s felt like the next big thing for decades. The inevitable next question then, is: Will there be enough room for everyone?

The mixed messaging of mixed reality by Brian Heater originally published on TechCrunch

“We rolled a 1”: D&D publisher addresses backlash over controversial license

After a week of silence amid intense backlash, Dungeons & Dragons publisher Wizards of the Coast (WoTC) has finally addressed its community’s concerns about changes to the open gaming license.

The open gaming license (OGL) has existed since 2000 and has made it possible for a diverse ecosystem of third-party creators to publish virtual tabletop software, expansion books and more. Many of these creators can make a living thanks to the OGL. But over the last week, a new version of the OGL leaked after WoTC sent it to some top creators. Over 66,000 Dungeons & Dragons fans signed an open letter under the name #OpenDnD ahead of an expected announcement, and waves of users deleted their subscriptions to D&D Beyond, WoTC’s online platform. Now, WoTC admitted that “it’s clear from the reaction that we rolled a 1.” Or, in non-Dungeons and Dragons speak, they screwed up.

“We wanted to ensure that the OGL is for the content creator, the homebrewer, the aspiring designer, our players, and the community — not major corporations to use for their own commercial and promotional purpose,” the company wrote in a statement.

But fans have critiqued this language, since WoTC — a subsidiary of Hasbro — is a “major corporation” in itself. Hasbro earned $1.68 billion in revenue during the third quarter of 2022.

TechCrunch spoke to content creators who had received the unpublished OGL update from WoTC. The terms of this updated OGL would force any creator making more than $50,000 to report earnings to WoTC. Creators earning over $750,000 in gross revenue would have to pay a 25% royalty. The latter creators are the closest thing that third-party Dungeons & Dragons content has to “major corporations” — but gross revenue is not a reflection of profit, so to refer to these companies in that way is a misnomer.

Mage Hand Press editor-in-chief Mike Holik, who organized the #OpenDnD letter, says his business would be impacted by this 25% royalty. As he told TechCrunch, most Kickstarters that raise that amount of money are not even making a 25% profit, since most of the money raised is going to fulfilling orders, printing books and paying collaborators.

“A Kickstarter involves many small products, so your profit margins actually go down, because really, you’re going to offer people some dice, and some adventures, and a box set, and all of those individual things end up cutting into your profit margins pretty significantly,” Holik said. “Kickstarters don’t walk away with 80% of their money and profit. None of that is legitimate. I don’t know where they’re getting that 25% number beyond … they’re trying to squish competition completely.”

The fan community also worried about whether WoTC would be allowed to publish and profit off of third-party work without credit to the original creator. Noah Downs, a partner at Premack Rogers and Dungeons & Dragons livestreamer, told TechCrunch that there was a clause in the document that granted WoTC a perpetual, royalty-free sublicense to all third-party content created under the OGL.

Now, WoTC appears to be walking back both the royalty clause and the perpetual license.

“What [the next OGL] will not contain is any royalty structure. It also will not include the license back provision that some people were afraid was a means for us to steal work. That thought never crossed our minds,” WoTC wrote in a statement. “Under any new OGL, you will own the content you create. We won’t.” WoTC claims that it included this language in the leaked version of the OGL to prevent creators from being able to “incorrectly allege” that WoTC stole their work.

Through out the document, WoTC refers to the document that certain creators received as a draft — however, creators who received the document told TechCrunch that it was sent to them with the intention of getting them to sign off on it. The backlash against these terms was so severe that other tabletop roleplaying game (TTRPG) publishers took action.

Paizo is the publisher of Pathfinder, a popular game covered under WoTC’s original OGL. Paizo’s owner and presidents were leaders at Wizards of the Coast at the time that the OGL was originally published in 2000, and wrote in a statement yesterday that the company was prepared to go to court over the idea that WoTC could suddenly revoke the OGL license from existing projects. Along with other publishers like Kobold Press, Chaosium and Legendary Games, Paizo announced it would release its own Open RPG Creative License (ORC).

“We have no interest whatsoever in Wizards’ new OGL. Instead, we have a plan that we believe will irrevocably and unquestionably keep alive the spirit of the Open Game License,” Paizo’s statement says. The license has not yet been published.

Dungeons & Dragons content creators are still cautious about how changes to the OGL will impact the community, even if it seems like WoTC might make some concessions.

“Ultimately, the collective action of the signatures on the open letter and unsubscribing from D&D Beyond made a difference. We have seen that all they care about is profit, and we are hitting their bottom line,” said Eric Silver, game master of Dungeons & Dragons podcast Join the Party. He told TechCrunch that WoTC’s response on Friday is “just a PR statement.”

“Until we see what they release in clear language, we can’t let our foot off the gas pedal,” Silver said. “The corporate playbook is wait it out until the people get bored; we can’t and we won’t.”

“We rolled a 1”: D&D publisher addresses backlash over controversial license by Amanda Silberling originally published on TechCrunch

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